In 1987 New York, LGBTQ ball fixture Blanca starts her own house, soon becoming mother to a gifted dancer and a sex worker in love with a yuppie client.
Pose is aspirational and celebratory -- and in pursuit of that, a little anachronistic, importing to the New York of 30 years ago all the trans commitment of today. Never mind. This is, after all a study in the lives of the saints, set to disco. – Dave Sexton, London Evening Standard